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HOUSE OF CARDS: REBUILDING

While 2008 made us aware of the housing crisis, with the improvements in the economy the assumption is that the crisis is over. The reality is, people are still challenging loss of home. Watch the short films we produced for the exhibition.


Watch the House of Cards:rebuilding trailer.

House of Cards: Rebuilding is the first presentation of a work-in-progress exhibition featuring the personal stories of community members who have struggled to save their homes. The narratives included confront loss of home through eviction, foreclosure, forced displacement and other threats to our human right to housing. Through photographs, short films, and research, this new work allows us to learn how our neighbors are dealing with these issues and meet the organizations they are working with to confront this challenge. House of Cards: Rebuilding Chicago’s exhibition was generously supported in part by the Pierce Family Foundation and Peter Kupferberg. Presented in partnership with the National Low Income Housing Coalition.

Commissioned and produced by Art Works Projects
Directed, cinematography and editing: Maren Wickwire
Interviews: Roberta Feldman
Photographs : Jon Lowenstein


Watch the Series of 8 short films:

Teresa and her family moved into a newly painted rental house in a neighborhood that provided her grandchildren with safety and good schools. When the winter began, the furnace and sump pump failed, the water pipes broke, and mold and structural damage appeared. Her landlord, angry that Teresa used her rent money for the repairs, issued an eviction notice. The Lawyer’s Committee for Better Housing represented Teresa in court. While it was declared that she did not owe back rent, she was given 60 days to vacate her home and was forced to leave. After living with her sister, Teresa and her family found a new home.

Eddie & Granddaughter Teica Financial challenges interrupted Eddie’s college education. She and her children were doubled up with family members and faced a range of personal problems. After many difficult years, her mother’s death prompted Eddie to reach out to HOW for supportive services and housing assistance. She subsequently earned her bachelors degree in healthcare administration and is now beginning to search for employment.

Jackie - Jackie could not work because of her serious illnesses, and her husband lost his job because he was frequently forced to take time off in order to care for the family. When their money ran out, the couple had to split up and live with separate relatives. In time, Jackie and her oldest daughter were living on the street. Eventually her in-laws provided them with a single room, which the entire family shared for several years. Jackie recently began working with La Casa Norte to secure an apartment for her family.

When Phyllis was forced to take a lower-paying job after working 32 years as a respiratory therapist, her home, bought with an inheritance from her husband, went into foreclosure. Through a radio advertisement, she found a lawyer who did little more than take her fees, and she was left with no options other than declaring bankruptcy. However, by working with the Northwest Side Housing Center, she was able to arrange for a mortgage modification.

Hilda and Carlos lost their jobs in 2008. Since then, available work opportunities have paid considerably less than their previous salaries, making it impossible for them to meet their original mortgage payments. They applied for a modification, but their application was denied a year later. They became deeply involved with the Northwest Side Housing Center, and after two years were able to secure a mortgage modification and stay in their home.

Nancy and Ernie, both long-established working actors, lost nearly all of their sources of employment beginning in 2007. They continued to pay their mortgage with savings for some time, and later credit cards. When they applied for a mortgage modification they were denied. Ultimately, after declaring bankruptcy and working with the Northwest Side Housing Center for over a year, they were able to secure the modification and stay in their home. 

Mrs. Williams was the victim of a reverse mortgage scam that promised free home improvements. Like many seniors who become confused about how to pay their home insurance, Mrs. Williams found herself in foreclosure. Reverend Hood, her nephew, is helping her fight the scam and raising local and national awareness of the extent of this outrage.

Matthew lived in an apartment in a building that went into foreclosure. Though he followed the process required to receive a new lease or monies to move, he received a ninety-day eviction notice. The Lawyer’s Committee for Better Housing negotiated a new lease for him and his fiancée Jasmine.

We came back with empty hands


Client: Eastern Congo Initiative | Harvard Humanitarian Initiative
Project: We came back with empty hands

The goal of this research project is to share lessons learned from past reintegration processes to improve future programming for former underage combatants and youth at-risk for joining armed groups. 

Our Part:
Producing
Art Direction
Post Production
Motion Graphics


From Their Perspective :
Why Young People from Somalia and Afghanistan Leave Home

Synopsis:

In recent years, European countries have seen an increase of migrants from developing countries. This migration trend, often described as a “crisis,” has been characterized by the deaths of hundreds of thousands of migrants who take significant risks to reach their destination countries, as well as a significant concern regarding the lives of migrants in countries of destination. Despite the many benefits migration brings to both home and host communities, donor governments have sought to invest in programs in countries of origin that might reduce the flow of people to Europe. In this video Mercy Corps and Samuel Hall presents new evidence on this ongoing debate. Drawing from two countries of origin of many migrants to Europe – Afghanistan and Somalia – the accompanying report tests assumptions about ‘root causes’ of and ‘solutions’ to migration.

Mercy Corps Brief: https://www.mercycorps.org/research/driven-leave-aid-and-migration


Subsist or Persist :
Assessing Drivers of Migration and Effects of Foreign Assistance Programs on Migration from the Northern Triangle

Synopsis:

Drawing on pre-existing research and new research (surveys and interviews) from Mercy Corps Guatemala programs, this report examines factors causing people to flee Central America — including economic hardship, climate change, and violence — and the links between development programs in the region and migration. By examining two Mercy Corps programs focused on agricultural development and urban violence prevention, this report integrates the wide-ranging voices and experiences of men, women, boys, and girls in Guatemala who are the targets of policy decisions related to migration and as a result, directly affected by them. The report concludes with recommendations on how U.S. policymakers can advance policies that effectively and humanely address migration from Central America.

Mercy Corps Report: https://www.mercycorps.org/research/subsist-or-persist

Loom: Woven Together


The Project:
LOOM is a group of creative and enterprising women, working in collaboration with local Chicago designers to produce beautiful, handmade products. Learn more about the artisans and their beautiful products at www.loomchicago.org

Client: Catholic Charities
Our Part: Concept, Creative Direction,
Cinematography, Post Production


Sheikha Fatima Lectureship: Messengers of Peacebuilding


The Project: Messengers of Peacebuilding
On May 9th the Unites States Institute of Peace held the inaugural Sheikha Fatima Lectureship at its headquarters in Washington, DC. This event featured four distinguished women leaders who examined the critical importance and the impact of communicating stories of women and peacebuilding through media, public affairs, film, and philanthropy.

Client: United States Institute of Peace
Our Part: Post Production ( Maren Wickwire )
Credits: Producer: Art Works Projects
Creative Director: Leslie Thomas
DP: Ron Haviv


Kickstarter: The Prosecutors Documentary


The Project:  Kickstarter Campaign for THE PROSECUTORS

The Prosecutors is the compelling story of Amani and Jasmin, two dedicated lawyers who fight to make sure that survivors of sexual violence in conflict get access to justice. The film was conceived out of a belief that the law is for everyone, especially those who have lived through unimaginable crimes during war - whether it be yesterday or twenty years ago.

Client: Art Works Projects

Our Part: Co-directed by Leslie Thomas and Maren Wickwire
Post Production: Maren Wickwire
Title design: Desiree Agngarayngay


Agents of Change: Men, Peace & Security


The Project: Men, Peace & Security - Agents of Change

The U.S. Institute of Peace (USIP), The World Bank, Stockholm International Peace Research Institute (SIPRI) – North America, Women in International Security (WIIS), Promundo – US, and Sonke Gender Justice co-hosted a symposium titled Men, Peace & Security: Agents of Change at USIP on October 28-30, 2013. This symposium aimed to better understand how the ascribed norms of men and masculine identities contribute to, and may even help mitigate, violent conflict and post-conflict.

Client: ART WORKS Projects / USIP

Our Part:
Post Production
Cinematography

Credits:
Produced by: ART WORKS Projects
Directed by Leslie Thomas
Cinematography: Ron Haviv


Colombia: Women Mediating Peace

A collaboration with Unites States Institute of Peace and ART WORKS Projects

Synopsis: Women have played groundbreaking roles in Colombia’s peace process between the government and the country’s largest rebel group, the FARC. With a peace agreement in sight and on the occasion of International Women’s Day 2016, we created this video documenting efforts to strengthen the capacities of Colombia’s women as mediators, supported by the United States Institute of Peace.

Directors: Leslie Thomas & Maren Wickwire (Manifest Media)
Camerawork & Editing: Maren Wickwire
Associate Producer: Claire Dillon
Funded by the United States Institute of Peace


TRANSITIONS

Project: 

ART WORKS Projects is pleased to announce the launch of Transitions, a four-part international cultural exchange between the cities of Chicago, Bogotá, Goma, and Sarajevo.

With major support from the John D. and Catherine T. MacArthur Foundation, Transitions will bring together creative teams from Bogotá, Colombia; Chicago, Illinois; Goma, the Democratic Republic of Congo; and Sarajevo, Bosnia and Herzegovina. This group will co-curate a photography exhibition to highlight several national journeys of transitional justice in post-conflict environments.

This project will consider multiple aspects of post-conflict society and challenges and successes at varying stages of transitional justice, from across the centuries to recently established zones of fragile peace. It will foster a discussion of varied definitions of otherness and the difficulties these multi-faceted communities face. By sharing diverse post-conflict experiences, Transitions will foster the development of new ideas and solidarity among fellow global citizens.

Client: ART WORKS Projects

Directors: Maren Wickwire
Camerawork & Editing: Maren Wickwire
Associate Producer: Claire Dillon

The Post-Conflict Research Center (PCRC) and the WARM Foundation, Sarajevo, Bosnia and Herzegovina
Photographer Midhat Poturovic midhatpoturovic.com

Centro Nacional De Memoria Histórica, Bogotá, Colombia
Photographer Juan Arredondo juanarredondo.com

Yole!Africa, Goma, Democratic Republic of Congo
Photographer Martin Lukongo

ART WORKS Projects, Chicago, United States
Photographer Sophia Nahli Allison sophianahliallison.com


We came Back


Client: Harvard Humanitarian Initiative

Our Part:
Creative Direction: Maren Wickwire
Post Production: Maren Wickwire

The Project: We came Back
This video introduces a research project done by the Eastern Congo Initiative and Harvard Humanitarian Initiative.
Understanding the Disarmament, Demobilization and Reintegration of Children Formerly Associated with Armed Groups in the Democratic Republic of the Congo.

Multimedia Exhibition: Island in the Sun

 

Island in the SUn

Despite devastation that followed by the Turkish occupation of northern Cyprus in 1974, the so-called “economic miracle” of the late 1970s and 1980s brought growth to the Greek south. A lack of low-skilled laborers prompted Cyprus to open its doors to foreign workers in 1990, abandoning the restrictive immigration policies. In 2004, Cyprus joined the EU. These two factors have lead to a steadily increasing immigration rate on the island over the past two decades.

As growing numbers of people displaced by nearby conflict zones try to reach Europe, the island’s vulnerable populations have also increased, and proven an easy target for exploitation. In hopes of escaping the cycle of poverty and hardship, families and young adults in developing countries sign away their homes or take out high risk loans, all to pay thousands of dollars to so called employment agencies to obtain work visas overseas and so enter Cyprus. For many people, the future looks quite dark and without much to lose, people take the chance when being offered a lucrative job, hoping to reach something better on the other side.

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Many of the foreign workers expect to arrive in Europe's mainland with fairly good integration policies and welcoming communities, but instead are landing on contested lands, where the media and public debate circles around allegations that migrants and asylum seekers receive too many benefits and are responsible for the rise in crime, car accidents, and diseases.

Although the land is divided, the victims of trafficking that are being held by corrupt businesses are regularly trafficked across borders. Ironically, the police and government officials on either end of the conflict do not cooperate,  while the mafia on both sides communicates and works well together.

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BLOOD/STONES: Burmese Rubies


The Project: BLOOD/STONES: Burmese Rubies
Creating a video trailer for the exhibit Blood/Stones produced by ART WORKS Projects to introduce the concept to new venues and donors
Reflecting on the exploitation of a country and featuring the photography of Christian Holst.

Client:  ART WORKS Projects
Our Part: Concept, DP, Post Production, Motion Graphics
Producer, Interviews: ART WORKS Projects:
DP: Christian Holst:


ART WORKS Projects: an introduction

 

Monthly event to highlight current issues and exhibitions at the ART WORKS Projects studio in Chicago.

Video for ART WORKS Projects fundraiser.


The Project: SEE CHANGE
A video that introduces ART WORKS’ mission, which
includes projects exposing genocide, extreme sexual violence, women’s rights, famine, child labor and human trafficking, ethnic cleansing and tyranny. ART WORKS selects topics which are the most intractable, the least covered in the mainstream media, and the most abusive for victims. (Image above: visitors entering the James Cohan Gallery in NYC to see Congo/Women)

Client: ART WORKS Projects

Our Part:
Creative Co-Producer/ Direction
Post Production

Credits:
Co-Producer/ Director: Leslie Thomas